Posts Tagged ‘Frances Loring’

small painting of a red headed woman torso, amrs, and head, in a gold frame on a wall with lots of other paintings, except on e is missing and there is a white sign saying why its missing

All kinds of thoughts went through my head as I stood and looked at this painting at the Art Gallery of Ontario (AGO).  A little ho hum and a little melancholy and a little well what next.  There were no new exhibits since the last time that I visited the AGO and quite a few galleries were being prepared for new showings (i.e. closed).   A little bit of that’s a waste of time.   Even here there’s a painting missing.  … no, it’s only a waste of time if I let it be.

I stood and studied her face, the expression on her face, the tilt of her head and one hand held up.  What was going through her head?  Was the artist trying to tell us something about her?  Or was he just playing with composition in a limited space?  And that’s when the game began – what expressions hang on the walls of the AGO?  A sample:

 

below: part of “Time Dissolve” created around 1992 by Carl Beam (M’Chigeeng Ontario 1943-2000) using photo emulsion, acrylic and pencil on canvas.

part of Time Dissolve, an artwork by Carl Beam. Old photo of a woman seated on the ground bRed letters saying my mother are written on the woman and a red circle is around the boy's head

below: manipulating a series of portraits by Will Gorlitz (b. Argentina 1952).  The paintings were done in 1984 and are called Genre IV, Genre XVI, etc.  Nameless.   Unless her name was Genre and he’s painted her 6 times (one of the paintings in the row is not included here).

a series of 5 women's faces hung in a row on the art gallery wall, paintings by Will Gorlitz

below: Two pieces.  A sculpture called  “Eskimo Mother and Child” (about 1938) by Frances Loring and the portrait “Bess” by Canadian painter Lawren Harris.   I have talked about Loring in a previous post.

a sculpture of a woman with a child on her back, called Eskimo Mother and child by Frances Loring. She stands by a painting by Lawren Harris called Bess which a portrait of a woman in a black hat and black coat

below: part of “Melancholy”, oil on canvas, by Hendrick Terbrugghen (The Netherlands, 1588-1629)

a painting of a young woman sitting, with her hand resting on her hand, elbow on table, lit by candle light, called Melancholy painted by Hendrick Terbrugghen

below: part of “Waitress”, oil on canvas, by Shelley Niro, 1986  (b. USA 1954)

a painting of a waitress wearing black glasses serving a plate of food to a surprised looking red head woman with green eyes, called Waitress, painted by Shelley Niro

below: Engraving on paper, “Drunken Men at a Table” by Gillis Van Breen, Dutch, around 1600.

engraving on paper called Drunken men at a table, by Karel Van Mander, done late in the 1500's

below: The last picture is obviously from a painting with a religious theme. Unfortunately, the photo that I took of the tag with the artist’s name is too blurry to read.  I tried a google search on the image and the first hit was the Wikipedia page for Paul Bernardo.  Oh dear, Google that’s a fail… apparently it’s similar to a figure in a painting by Bernardo Carbone who was a painter in the 1600’s.   So Google put 2 and 2 together and got 17.   Hopefully you (and I) don’t get many 17’s!

part of a religious painting of a young man in a red robe kneeling before another man in white who has one hand on the young man's shoulder.

Happy Mothers Day!

I didn’t write this blog post specifically for Mothers Day even though it’s about four women, Mary Pickford, Edith Cavell, Florence Wyle, and Frances Loring.  Just because they are women doesn’t mean that they are mothers, in fact only one is.  Mary Pickford adopted two children.  I also didn’t intend to write a blog post on the merits of motherhood vs childlessness so I am going to say nothing further on the subject!

The first woman can be found at the corner of University and Elm.  Here, there is a a bronze portrait bust of Mary Pickford that was sculpted by Eino Gira in 1983.

bust of Mary Pickford with her hand on her cheek, in front of Sick Kids Hospital in Toronto, red brick hospital behind her in the photo

The plaque beside her says:

Born in 1893 in a house which stood near this site, Gladys Marie Smith appeared on stage in Toronto at the age of five.   Her theatrical career took her to Broadway in 1907 where she adopted the name Mary Pickford.  The actress’s earliest film “Her First Biscuits”, was released by the Biograph Company in 1909 and she soon established herself as the international cinema’s first great star.   Her golden curls and children’s roles endeared her to millions as “America’s Sweatheart”.  She was instrumental in founding and directing a major film production company and starred in over fifty feature-length films including “Hearts Adrift”, “Pollyanna” and “Coquette”.  For the last named film she received the 1929 Academy Award as the year’s best actress.

below: Just up the street, next to one of the entrances of Toronto General Hospital, is a memorial to British nurse Edith Cavell (1865-1915) and to all the Canadian women who served as nurses in WW1.  The memorial  was installed at University Ave and College St. in 1921 but later moved to its present location.

A memorial to British nurse Edith Clavell and the Canadian nurses of WW1, a bronze plaque mounted on a stone tablet. Picture of Clavell between two upright but wounded soldiers.

In memory of Edith Cavell and the Canadian nurses who gave their lives for humanity in the Great War.  “In the midst of darkness they saw light”

Cavell had been working in Brussels when WW1 broke out.  After the Germans invaded Belgium, Cavell helped wounded Allied soldiers escape to the Netherlands.  She was caught by the Germans, charged with treason, and executed on 12 October 1915.  She became the most well known woman casualty of WW1.

The above memorial was designed by Florence Wyle.  There is a memorial to Wyle and her partner, Frances Loring (also a sculptor), in a small park at the corner of Mt Pleasant and St. Clair.

below: bronze bust of Florence Wyle, by Frances Loring

bust of Florence Wyle, a Canadian sculptor, in a park

below: bronze bust of Frances Loring, by Florence Wyle

bust of Frances Loring, a Canadian sculptor, in a park, in the shade of a large tree

below: There are a couple of small statues by Wyle in the same park, including this one.
“Young Girl”, about 1938.

bronze statue titled "Young girl", showing a girl from the thighs up, holding up a cloth that is wrapped around her body but her breasts are bare

Loring and Wyle are responsible for a number of sculptures around the city.  Two of these used to be on the Bank of Montreal building at the northwest corner of King and Bay. It was built in 1887 by architects Marani and Morris and demolished in 1968.  The building featured a series of sculptures representing the Canadian provinces that were done by a number of artists.  Frances Loring sculpted the panels for Ontario and Quebec.  When the Bank of Montreal building was demolished, all of the panels were moved to the grounds of the Guild Inn in Scarborough where they remain today.

Quebec sculpture - A stone relief sculpture from a series on provinces of Canada, originally on a Bank of Montreal building in Toronto. They were rescued when the bank was demolished and moved to the grounds of the Guild Inn in Scarborough. By Canadian artist Frances Loring. A naked woman upright, with a cloth over her shoulders and looking upwards

A stone relief sculpture from a series on provinces of Canada, originally on a Bank of Montreal building in Toronto. They were rescued when the bank was demolished and moved to the grounds of the Guild Inn in Scarborough. By Canadian artist Frances Loring. Ontario is in the picture, as a man surrounded by symbols of industry such as large gears and architectural plans