Posts Tagged ‘display’

This is a story about an exhibit that is showing at the Art Gallery of Ontario at the moment, “A Story of Negotiation” by Francis Alys.  The exhibit is a look at three of Alys’s large projects.  For each project there were many studies, notes, and sketches.  Drawings and paintings dot the walls and cover many tables.  There are three large videos to watch (not the ones shown below).  It is a fairly complex installation and only a small part of it is included here.

two women looking over a table with art displays on it , in an art gallery

below: In 2006 Alys tried to organize two lines of fishing boats, one from Florida and one from Cuba, that would form a bridge between the United States and Florida.  It was unsuccessful.  He repeated the project in 2008, this time between Spain and Morocco.

a young man is looking at two video screens that are mounted on the wall

a line of little sailboats on the floor, all parallel to each other, the base of the boat (hull) is a flip flop or sandal.

below: More on borders, pairs of words that depend on which side you’re on.
Words such as leave/return and us/them.

4 small green and yellow pictures on a pink wall

Alys also spent time embedded with British forces in Afghanistan.

a display of pictures, paintings, drawings, sketches, and notes as part of an art exhibit

below: Alys made a videos on kids flying kites in Afghanistan.  There was also a video of kids rolling a large reel of film through the streets and alleys in an Afghan city.

3 wood benches in front of a table mounted to a wall, art on the table, a video screen on the wall with a movie about kids in Afghanistan flying kites, some people in the background

below: Weapons made of found objects

in a yellow room with two small pictures hanging crookedly on the wall. A table in the middle of the room, glass covering artwork on the table. Sitting on the table is an automatic rifle (artwork) made of found objects

below: Instead of a round of ammunition, there is a reel of film. This is true in all of Alys’s ‘automatic rifles’ that are displayed here

close up of a sculpture of an automatic rifle where the round of ammo is replaced by a reel of film

a circle of art weapons, automatic rifles, made of found objects, with barrels all pointed inwards,

The exhibit continues at the AGO until April 2nd.

a little wooden human figure is doing the front crawl, one arm outstretched, on a bubble of clear plastic on a table top

You’ve probably never heard the word asafo before.  You probably have no idea what it means.

Until last week I didn’t know the word existed either.

I went to the Royal Ontario Museum to see the Wildlife Photographer of the Year exhibit.  There were 100 excellent pictures of insects, animals, marine life, the sort of thing you’d expect.  There was no photography allowed in that exhibit so I have no photos of the images on display.  You’ll have to take my word for it that I was there.

I can appreciate the skill and patience that it takes to capture rabbits in the snow or a school of fish in a certain light underwater but those kind of pictures don’t excite me.   That’s not to diminish the work of the photographers, it was all very high caliber both technically and visually.    What I think I’m trying to say is that I left the exhibit wanting more, something more from my visit to the ROM.

Luckily I didn’t have to look far.  In the next room was Art, Honour, and Ridicule: Asafo Flags from Southern Ghana.

museum exhibit of asafo flags from Ghana, colourful flags of militia groups in yellows, reds and black. Many are hanging in display cases.

Colour, lots of colour.  And a subject that I knew nothing about, asafo flags.  I wasn’t even sure what part of Africa Ghana is in (It’s on the south coast of Western Africa between Togo and the Ivory Coast as it turns out.).

The flags are hand made with an assortment of different motifs.  The British Jack in the upper left corner is a very common feature.  That’s a clue.  Yes, Ghana was a British colony.   Reading the history of Ghana is like reading the colonial history of large parts of Africa.  The Portuguese built a fortress at Elmina in 1482.    Interest in the region was piqued by the presence of gold, hence the name Gold Coast.   By the early 17th century the first African state,  Akwamu, controlled an extensive part of the coast.  They were displaced by the Ashanti who were very involved in the slave trade, especially in trading slaves for weapons.   When European countries outlawed trading in slaves in the early 1800’s,  Ashanti power suffers.   Some tussles ensue, a few battles, some back and forth, and by 1902 what was Ashanti becomes is a British colony.    It remained a colony until 1957.

close up of a flag, hand made, British Jack in the top left corner, a man walks in front of a church in the center, a black bear in the top right.

I’m not going to pretend to know or understand African history.  I’m only trying to give some context to the flags.    First, jump back to my mention of Elmina and the Portuguese. When the Portuguese arrived in this area in the 15th century, it was the Fante (or Fanti) people that they encountered.  Both the Fante and the Ashanti belong to the Akan people.  The Fante prevented them from venturing inland and leased properties for Portuguese trading missions. But when the Portuguese objected to Fante rules and regulations the Fante expelled them.  Soon after, the Dutch arrived.  The Fante served as middlemen in the commerce between the interior and Dutch traders on the coast.

Around 1724 the Dutch either established or made important a number of militia groups of local Fante.  These are the Asafo companies.  Historically, Asafo companies were in charge of the safety and protection of the local community.   At the height of the slave trade they protected individuals and communities.   They exerted power, exercise political influence and maintain codes of conduct within Fante communities. Each company has a flag and that flag has many roles.   They represent proverbs and depict narratives of pride and wisdom.  They accompany oral history and provide a means to preserve customs and traditions.

below:

  1. top flag, by Kweku Kakanu, Saltpond Workshop. “Only a brave man goes under a large tree” because only large animals go under large trees. Made sometime between 1950 and 1957.
  2. bottom flag, artist unknown, Kromantse Workshop. “Only tie a bull to a large tree”. Both the animal and the tree are acknowledged to be strong and mighty.  Made around 1980.  It has a Ghanese flag in the top left corner.

 

two flags displayed on a black background, with three femail mannequins dressed in traditional Ghanese costume.

below:

  1. top flag, by Kweku Kakanu, Saltpond Workshop. A crocodile dominates and controls a pond of fish. Made around 1940.  The prey can not escape.
  2. bottom flag, by Kwesi Budu, Saltpond Workshop. The fish cann’t escape the net of the fishermen just like enemies will not be able to escape when confronted by the company.  Made around 1950.

two flags displayed on a black background, with two male mannequins dressed in military Ghanese costume.

Fante asafo flags from Ghana, two on display in a museum, chickens and roosters,

Fante asafo flags from Ghana, two on display in a museum, griffons

two mannequins in military uniforms as part of a museum exhibit at ROM

 

 

Patricia Harris Gallery of Textiles and Costumes,
ROM, 4th floor,
until March 2017.

 

 

 

World Press Photo 14,
a traveling exhibition of prize-winning photographs assembled by World Press Photo.

At the Allen Lambert Galleria, Brookfield Place
 until October 21st

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These pictures were taken from drones that were flying over playing fields.  The shadows of the players look like they are the people.

These pictures were taken from drones that were flying over playing fields. The shadows of the players look like they are the people.

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Photo on the far left is “A flock of Guillemots (Uria aalgae) in a snowstorm in Vardo, Norway” by Markus Varesvuo of Finland.


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LEFT: Survivors of typhoon Haiyan march during a religious procession in Tolosa, on the eastern island of Leyte. One of the strongest cyclones ever recorded, Haiyan left 8,000 people dead and missing and more than four million homeless after it hit the central Philippines. Photo by Philippe Lopez of France.
CENTER: A woman reacts in disappointment after access to see former South Africa President Nelson Mandela was closed on the third and final day of his casket lying in state, outside Union Buildings in Pretoria, South Africa. Photo by Markus Schreiber of Germany.
RIGHT: A group of blind albino boys photographed in their boarding room at the Vivekananda mission school for the blind in West Bengal, India. Photo by Brent Stirton of South Africa.

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