traffic signs at an intersection, at Lakeshore Blvd East, two one way signs pointing in the opposite directions, an elevated expressway also in the picture

“There’s more than one way” describes the above picture quite nicely but it’s probably a stretch to say that it’s  relevant to this blog post at all.   Not that that’s ever stopped me!  The other day I stood at this intersection (Lakeshore and Sherbourne I think) trying to decide which way to go.  I went straight ahead because that’s what the traffic signal told me to do.  I obeyed.  “When in doubt, go with the green light”, is one of my ‘rules’ when I’m walking.

below: The artistry of hydro towers and wires framed by the Lakeshore and the Gardiner.

a view between the Gardiner and Lakeshore with the roads framing the top and bottom of the picture. Hydro towers and wires are the main part of the image

below: Shattered glass

shattered glass still in place

below: Part of “Site Specific” by Scott Eunson & Marianne Lovink, on Sumach Street at Eastern Ave.

rusted metal cut out, part of a public art installation, cut outs look like houses, polished steel cutouts below the rusty ones.

below: The view inside the streetcar.  A new 514 Cherry car was wrapped in a light blue ad.
I have no idea what it was advertising.

looking into the window of a streetcar, people sitting,

below: There are a number of this “eye” balls in the playground part of Sherbourne Common.

a large white sphere with a black circle in the middle, on a metal pole. Background is out of focus

below: Changing the billboard.  The image is printed on a large piece of vinyl (plastic? something similar?) and held to the frame by ropes.   Or at least that’s what it looked like.  It was quite a distance up so it was difficult to see exactly what they were doing.

two men are changing the ad on a very large billboard. One man is below and the other is above and he is passing a long rope to man below.

below:  Graffiti.  Two words.  In yellow.

in yellow paint, graffiti, words fuck trump written on a metal box on a sidewalk

below: Chairs.   Blue chairs.  Three blue chairs plus one reflection.

three old blue plastic chairs with metal rusty legs sit on the concrete porch of a commercial building. Windows behind them. one of the chairs is reflected in the window

below: A drab door on a drab wall.

drab double glass doors on a drab light brown brick building with a sign that says public parking with arrows pointing to the door, The sign is above the door.

below:  An entrance to a different parking lot.

looking through a parking garage to a lighted entrance with people carrying bags and returning to their cars

below: Numbers on the concrete.

close up of the side of a concrete structure on a ramp of an expressway, there are two number sequences there. In stencil it says R42-78 and in stickers, AJ48

below: More numbers.  Another code that I can’t crack.

black and orange construction cone site beside a kerb on which numbers have been spray painted in orange

below: Stonework details on an old bank building.

architectural details on an old bank building, a fancy column top (ionic?), some carvings in the stone work.

below: Another old building – now that the north building of the St. Lawrence market has been demolished, the rear of the St. Lawrence Hall has been exposed.  It’s quite a pretty building.

the rear of the old St. Lawrence Hall building, with a bright blue wood hoarding fence in front of it. a woman is walking past

below: Interior, St. Lawrence market

the interior of the St. Lawrence market, looking towards the north entrance, with the large arched window over the doorway

below: And when you’re in front of the St. Lawrence market, isn’t it obligatory to take a picture of the Gooderham building?   A Toronto iconic view.

the Gooderham building, built in the flatiron style, with glass towers behind it, downtown Toronto

below: Another icon, the CN Tower, as seen through the Distillery District from Cherry Street.
That’s a fabulous orange door!

Cherry street entrance to the distrillery district, looking west towwards the CN tower, brick road, overhead lights, bright orange door in the background,

below: Postage stamp art at 234 Adelaide East by Joanne Tod and Jon Reed.  The whole installation includes 12 images including a 1930 painting by Lawren Harris (2nd on the left) which was issued in 1967.   To the right of it is a stamp honouring the Alouette 2 research satellite.  In between those stamps is Queen Elizabeth, a fixture on Canadian stamps for so many years.   The old post office which was built in 1834 is nearby.

public art in front of a condo building that is a ribbon made of metal, flat, etched with a series of vintage Canadian postage stamps images

below: Walls.  Shored up walls of the construction hole in front of a wall of glass.

a blue crane inside a hole that is a construction site for a new condo, with many glass tower condos in the background.

below: Last, symmetrical? steps in the buildings.

a building under construction in front of another building

 

May all your lights be green!

Right now, the section of Sheppard Avenue East between Yonge and Leslie streets is a mix of old, middle aged and new – a hodge podge of sizes, styles and uses.   It’s neither ugly nor pretty.  It’s not sure if it’s city or  suburban.

below: The intersection of Bayview and Sheppard from the southwest.

main road with traffic, coming to an intersection, with a tall building in the background

You’ll probably never hear anyone say, “Hey, let’s go for a walk along Sheppard”.  So why was I there?   I’ve driven along this stretch many times but I have never walked it.  Have I been missing something?

below: A short distance west of Bayview is the modern brick St. Elizabeth of Hungary Roman Catholic Church, or ÁrpádHázi Szt. Erzsébet Római Katolikus Templom according to their sign.  Sunday mass is in Hungarian.   If you are driving past on Sheppard Ave, it’s easy to miss the simple steeple and cross that marks this building as a church.

steeple of St. Elizabeth of HUngary RC church, modern brick building with simple cross on the top

below: A large mosaic adorns one of the exterior walls.

mosaic on the exterior brick wall of St. Elizabeth of Hungary RC Church showing St. Elizabeth and two people kneeling beside her.

below: A small shrine is in front of the church.

small picture of Mary and baby Jesus in bright colours, on a small shrine in front of a church

below: The south entrance to Bayview subway station.  There are no escalators at this entrance  – instead, there is an elevator and a LOT of stairs.

south entrance to Bayview subway station with tall residential buildings behind and a construction site beside

below: The artwork at Bayview station is by Panya Clark Espinal, titled ‘From Here Right Now’.  Half an apple lies on the platform.

art on a subway platform, a line drawing of a very large apple that has been cut in half, on the wall and floor of the station

below: A salt or pepper shaker on the wall.  I’ve only shown two of the images in the series.  There are 24 in total and they are scattered throughout the  station.

art on a subway platform wall, a salt or pepper shaker in black on white tiles

below: There is a small park behind the south entrance to Bayview subway station, Kenaston Garden Parkette where I saw this tree in bud.   The first signs of spring are always wonderful to see.   Today it’s -12C outside so I hope the tree is okay.

pussy willow buds on a tree

below: This little park was designed by Wilk Associates Landscape Architecture and it incorporates a large number of rocks including a glacial boulder found on the site.   A bronze sculpture of a tree clinging to a rock  by Reinhard Reitzenstein is one of the features of the park.

small sculpture in a park of a sapling on a rock with its roots growing over the surface of the rock

below: If you stand in the park and look east,  you can’t miss the construction.

small sculpture in a park of a sapling on a rock with its roots growing over the surface of the rock - crane and construction site in the background

a convex mirror beside a black and yellow caution sign, condos are reflected in the mirror

the front and side of a large truck is in the foreground, right side, with a construction site beyond

Construction is everywhere on Sheppard Avenue.

below: All of the houses on Cusack Court are now gone.  Only the ‘No Exit’ sign remains.

a construction site where the houses on a a whole street have been demolished. The no exit sign for the street still remains., the site is behind a chainlink fence

a banner of the Canadian flag has fallen over and is lying on the ground behind a chainlink fence

below: The single family homes on the south side of Sheppard are slowly being demolished to make way for condo developments.  At the corner of Sheppard Ave East and Greenbriar  the proposed development of 184 residential units is the subject of an OMB prehearing on the 8 May 2017  (case number PL161113).

a boarded up house, split level, built in the 1950s, is in the foreground, condos and apartment buildings are behind it

below: Five houses are empty and waiting to be demolished to make way for two buildings, 11 and 6 storeys, mixed use (i.e. retail at street level) and incorporating a few townhouses.  In other words, the same old same old.

a boarded up house, split level, built in the 1950s, is in the foreground, condos and apartment buildings are behind it

below:  I said “same old same old” above because these types of buildings are popping up all over  many major roads that are outside the downtown core.  I suspect that Sheppard Avenue will be lined with structures like this one that’s already been built on the north side of Sheppard.

across the street is a 10 storey residential building, cars on the street, small trees in the foreground

Many people make the argument that there isn’t the density to support a subway along Sheppard.  I am of the opinion that if they’re not wrong now, they soon will be.   Development and public transit are dependent on each other, a symbiotic relationship if you will.   If you are affected by the construction along Eglinton for the new Crosstown line, you might agree that waiting for density only increases the problems and inconvenience (and cost?) of building new subway lines.   Also, have you seen photos of what the area around Davisville or Finch (and others) stations looked like when the subway opened there?   What is the required density?  Why do we want to funnel even more people towards the overcrowded Yonge line anyhow?   Is there an end to the questions we can ask?

And that’s another reason for my walk here…. to make note of the construction that is occurring whether we agree with it or not and to document some of  the changes.

below:  Two low rise apartment buildings.

two three storey brick apartment buildings with balconie in the front, taken from across the street

below: Once upon a time there were a lot of these little houses along Sheppard (even more so on the west side of Yonge Street).  At least one of these is still used as a family home but most are now offices or businesses.

a few small brick houses on the south side of Sheppard Ave

below: The north entrance to Bessarion station

looking across the street to the small north entrance to Bessarion subway station, with a small two storey plaza beside it

below: Looking east from Bessarion.  You can see as far as the condos on Don Mills Road.

looking west from Bessarion subway station towards Leslie Street and beyond,

   There is a reason that you haven’t seen many people in these pictures and it’s not because I waited for people to get out of the way.   Sheppard Avenue is a “major arterial road” under Toronto’s road classification system and traffic movement is its major function.  20,000+ cars are expected to use it every day.

I don’t like to say it, but why would you be walking along Sheppard anyhow?

below: Bayview Village parking lot at the NE corner of Bayview and Sheppard.

parking lot of a mall, Bayview village with surrounding buildings in the background.

As you might know, scroll down to the next blog post to see some pictures of Bessarion station!

 

This looks like an ordinary entrance into a TTC subway station.  It is.
It’s Bessarion station on Line 4, the Sheppard Line.

escalator down into Bessarion station

The red arrow points to one of a series of little photographs of hands that run beside the escalator to street level.

I’d be willing to bet that none of you have been to Bessarion subway station.  If you’ve heard of the station it’s probably in the context of complaints that no one uses the station so why did the city spend so much money building it.   One of the reasons for the low volume of traffic is that there are no bus routes (besides Sheppard) that serve this station.  Apparently in 2014 an average of 2380 people used the station on weekdays.  If true, then 2379 plus me where there today (although the stats may have increased since then).    I took some pictures for you – you will now have an idea of what the station looks like without having to go there.

photos of peoples legs and feet in black and white on tiles on a yellow tiled subway station wall, over the metal turnstiles for entry into the station, artwork by Sylvie Belanger

below: An art installation called ‘Passing’ dominates the yellow walls of the station concourse level.  It consists of a band of black and white photographs of legs and feet taken by Sylvie Belanger.  The little pictures of hands that I mentioned at the beginning of this blog are also part of this installation.

photos of peoples legs and feet in black and white on tiles on a yellow tiled subway station wall, over and beside two Bell pay phones, artwork by Sylvie Belanger

below: The pictures of legs and feet run around the whole concourse level of the station.

below: Down the escalator to the lower level.

looking down the main escalator at Bessarion subway station, the upper level has yellow walls and the lower level (track level) can also be seen.

below: I was not alone!

pillar covered in red tiles and with a black and white photo of the back of three peoples head, a man with a turban and a woman in a head scarf and someone with curly hair.

below: The artwork at track level is a continuation of the photographs by Sylvie Belanger.  This time the pictures are of the backs of people’s heads and they are incorporated into the red pillars.

close up of black and white photo of the back of peoples heads, one child's face turns to the camera and is slightly out of focus, Passing by Sylvie Belanger at Bessarion subway station

below: The outer walls are bare concrete and there are very few ads or posters on the walls.

from the subway platform at Bessarion subway station looking toward the concrete wall at the edge of the tracks, signs for the station, and direction signs.

Myseum of Toronto is a fairly new addition to the cultural fabric of the city.  It is a museum without walls.  It is an organization that helps deliver programming to different locations in the GTA.  Last night, March 6, at City Hall, Myseum of Toronto launched its second annual festival of events and exhibitions.  This festival, Myseum Intersections,  consists of 36 different events and exhibits spread around the city throughout the month of March.   “One Toronto.  Infinite Perspectives” is the motto of this year’s festival.

In keeping with that motto is an exhibit called ‘Cosmopolis Toronto: The World in One City’.   It was showcased at the Myseum Intersections launch party.   A few months ago it was on display at 18 libraries around the city but it has been brought together in one exhibit for the festival.   At the moment it can be seen on the ground floor of City Hall but it will also spend some time at Metro Hall and then end the month at the North York Civic Center.   (schedule at the bottom of the post).

people looking at an exhibit of photos and stories that are printed on upright posters standing on the floor.

“Cosmopolis” consists of a series of portraits and interviews by Colin Boyd Shafer.   The goal was to find a person from every country in the world who now calls Toronto home, hence its tagline “Photographing the world, one Torontonian at a time”.   I am not sure if that goal was attained, but the series is a fascinating look at a very diverse group of people.

Cosmopolis posters on display at City Hall as part of Myseum Intersections festival

Cosmopolis posters of Andrea from the Congo and Nevena from Serbia

Two photos were taken of each person.     The first was a portrait taken in a Toronto location where they felt “at home”.  The second was of an object that they felt connected them to their country of birth.

cosmopolis posters of immigrants to Toronto from different countries

The Cosmopolis website has more information as well as the portraits and stories of many more new Torontonians.

portrait and story about Yosvani from Cuba, a violin player

cosmopolis posters of immigrants to Toronto from different countries

***

EXHIBITION DATES & TIMES:
MARCH 5 – 8 & 13 – 19
MONDAY – FRIDAY, 8:30AM – 4:30PM
City Hall
100 Queen St W, Toronto

MARCH 9 – 12
MONDAY – FRIDAY, 7:30 AM – 9:30 PM
SATURDAY & SUNDAY, 8AM – 6PM
Metro Hall
55 John St, Toronto

MARCH 20 – APRIL 2
MONDAY – FRIDAY, 7:30AM – 9:30PM
SATURDAY & SUNDAY, 8AM – 6PM
North York Civic Centre
5100 Yonge St, Toronto

#myseumTO | #myseumX

 

 

Early Saturday morning was cold but beautiful –
brilliant blue overhead with the sun still low in the sky.

below: Striped grass

low sun rays shining through a fence made of vertical metal bars, so that the shadows on the grass make the grass looked striped

below:  This is the Bell building from the Simcoe Street side.  The blue glass, vertical lines in the concrete, blue sky and strong tree shapes made for an interesting few minutes while I experimented with different angles and views.

looking up a building with strong vertical lines made by concrete shapes on theglass is reflecting strong blue colour exterior of the building,

looking up a building with strong vertical lines made by concrete shapes on theglass is reflecting strong blue colour

below: The ghostly look of reflected light

light reflecting off a glass building and landing on a black wall on the building beside it

looking up a tall building that is black on the exterior and has light reflected from a glass building beside it.

below: A single pole and its shadow, alone on a wall.

sun shining on a wall, one post with a sign on it is in the picture, along with its shadow

sun shining on a wall, one post with a sign on it is in the picture, along with its shadow

below: Three reflected windows reserved for the president.

beige wall with greenish covering over a window, light reflected from the building beside it makes it look like a row of windows along the wall

below: A half house, a fun find.  Once this was a semi-divided house where the shared wall created the peak at the front of the house.  With its partner gone, the remaining house looks incomplete.

a semi divided house, where the house on one side has been demolished leaving half a peaked roof.

below:  A tree in silhouette seems to dance in front of the other buildings.

tree in silhouette in the foreground, buildings in light in the background,also blue sky

below: Phantom balconies, mirages on the concrete.

light reflecting from balconies along with shadows make phantom balconies on the building beside it

Another nice day, another ramble.

below: My starting point the other day was Castle Frank subway station (Bloor Street East, close to the top of Parliament Street).  This station opened in 1966 although the entrance that you see in the photo was an addition that was added only a few years ago.

photo taken from sidewalk on north side Bloor Street East, just outside of Castle Frank subway station, looking west towards downtown. Subway station in the foreground, high rise buildings in the background

below: An interesting round window in the station entrance.  You can see part of the window in the picture above, peaking from around the side of the tree trunk.

a round window with a metal grille inside. Grille is made of trapezoid shapes in a repeating pattern.

below: The subway “tunnel” between Sherbourne and Castle Frank stations isn’t really a tunnel at all.  This view surprised me – I know that I have driven under this structure on Rosedale Valley Road.  I don’t recall knowing that it was for the subway.

Downtown Toronto is in the distance. The subway tunnel between Sherbourne and Castle Frank stations is in the foreground. It's really a covered bridge as it passes over Rosedale Valley Road.

below: “It’s never too cold for rainbow shoelaces.”  Sage advice for the winter time.

words spray painted on a low concrete fence, It's never too cold for rainbow shoelaces.

below: Graffiti under the bridge…  even though I am drawn to bridges I didn’t go down the hill to investigate.  That can be another blog post at another not so muddy time.   This spot can be accessed from the Rekai Family Parkette which is at the SE corner of Bloor and Parliament, tucked in between Bloor and St. James Cemetery.

graffiti under the arches of a bridge, white skull painting, lots of trees, winter time but no snow. No leaves on the trees, brown ground.

below: More graffiti seen from the parkette.

graffiti on the side of a concrete bridge, based on the letter P C and E.

below: St. James Cemetery was opened in July of 1844 at a time when the population of Toronto was around 18,000 and most of them lived south of Queen Street.   The cemetery would have been out in the country but now, more than 150 years later, the cemetery is in the middle of the city.  There are 89,000 interments here including two of my great x 2 (or 3?) grandparents and some of their descendants (they’re not shown in the picture though!).

many tombstones in a cemetery, different shapes and sizes, a couple of crosses, a couple of rectangles with rounded tops, a tall one in the shape of a skinny keyhole, trees in the background, no leaves

below: A little reminder that Christmas wasn’t all that long ago.

a small statue of an angel sitting on a pedestal in a cemetery, a Christmas wreath in green with red bows and brown pine cones is behind the angel.

The fastest route from Castle Frank to Cabbagetown is straight down Parliament Street.  But of course, the direct route is rarely the one that I take.  The area is full of little alleys and lanes and they all call to me.

below: These animals are part of a mural painted in support of Riverdale Farm which is nearby.

on Darling Lane (street sign in the picture), a mural of two horses, part of a larger mural featuring farm animals

below: Reading the news, many newses.

a street art piece, a bench and man are painted on a wall, the man is holding a newspaper that is a made of paste ups of the word news many times.

below: In Flos Williams Lane there are a number of stenciled words.  “Guilty until proven rich” I first saw here a couple of years ago.  I don’t walk this lane very often so I’m not sure how long ago the other sayings appeared.

below: Like most walks, there were interesting windows to be seen.

two windows on a red brick house with stone foundation, basement window and first storey window. The upper one has a red curtain

below: …and doors too. A very bright orange door!

a very bright orange front door.

below: But unlike most walks, there was a giant gecko or lizard.

a life like model of a giant green gecko on the small roof over a window of a pet store.

One of the appeals of Cabbagetown is the number of older houses, many of which are heritage buildings.

below: This house was built in 1858 and its first resident was Charles MacKay, a customs official who lived here from 1858 to 1865.  The infill line of townhouses behind it are a much more recent development.

an old historic brick house with black and white trim, a small statue in the front yard, set back from the sidewalk, large tree,

below:  Cabbagetown has more of these ‘workers cottages’ or ‘gothic cottages’ than anywhere else I’ve walked.   This arrangement of three identical houses in a row is especially rare (but not unique, at least not yet).

a row of three gothic cottages joined together, all pale yellow with dark green trim

below:  This cottage is in the middle of another threesome but they are not identical.  The yellow door on the pale blue house is a wonderful colour combination.  A little bit of sunshine.

a gothic cottage painted pale blue with white trim,also a bright yellow front door.

below:  Even though it has been renovated and an addition added to the back, this house still retains some of its historical roots.

a renovated and modernized gothic cottage with an addition out the back.

below: And more history…  I was attracted to this building by the beautiful double doors.  Once I was close to the house, I noticed the ghost sign hiding behind the tree branches. The Daily Herald is no longer but it the mark it made here remains.   A mysterious mark though because I can find no record of such a publication.  In fact, probably “the sign had been part of a play or film that the home’s owner was involved in and he installed the sign on an act of whimsy.”  (source, bottom of page)  You gotta love whimsy!

an old brick building, two storeys, now a house, with double doors in a dark teal colour. Ghost sign above the window that says Daily Herald

below: Whimsy you say?  Bright pink flamingo whimsy in a store window.   They look like they’re ready for a rainy day.

three bright flamingo heads as umbrella handles in a shop window. Pink flamingos and pink umbrellas.

below:  There were also some store windows that were a bit more serious.

store window, selling statues of religios figures, many statues of Mary and Jesus.

below:   I think that Carlton and Parliament is one of the most colourful intersections in the city and I always enjoy passing this way.  This is the view if you are standing in the middle of Carlton street and looking east towards Parliament.

looking down Carlton street towards parliment, brick stores directly ahead, some cars on the street,

below: This large colourful mural on the wall of Cabbagetown Corner Convenience,  NE corner of Carlton and Parliament, has become a landmark since it was painted by Ryan Dineen in 2005.

mural on the side of a building in cabbagetown. people in old fashioned clothing plus swirls of colour. street scene beside it, people on sidewalk walking in front of stores.

below: The 506 Carlton streetcar makes its left turn from Parliament.   It’s never a quick and easy turn.  In fact, it’s usually frustratingly slow.

TTC streetcar, Carlton car, turns from Parliament street onto Carlton, stores, sidewalk and people in the background, reflections in street car windows.
And in case you were wondering, yes, you can find cabbages in cabbagetown. This big one is on the Cabbagetown mural on the side of the LCBO building.

painting of a cabbage in a mural

And yes, there is a lot more to Cabbagetown than this…
and I will use that as an excuse to return another time!

There are four exhibitions at The Power Plant Contemporary Art Gallery at the moment.

One of the exhibits is “A Wall is just a Wall” by Kapwani Kiwanga. Here, a hallway has been transformed with pink and blue lights. If you walk down this hall, you’ll find an entranceway to another section of the gallery with more of Kiwanga’s work. The gist of the thought behind her exhibit is the affect that architecture and design (such as colour) has on the behaviour of those exposed to it.   It’s a bit disconcerting to walk through the lights – they affect your perception of space and make you feel a bit dizzy.  Or at least that’s what happened to me!

a hallway is lit in pink and blue lighting, covers all walls and ceiling too

Another hall.  Another exhibit.  This time, an installation by Latifa Echakhch called “Cross Fade”.   You can see it in the Fleck Clerestory which is the long, high hallway that runs down the middle of the building.  For the installation, the walls were painted light blue with white cloud shapes.  Chunks of the outer layer of plaster were then removed and pieces left on the floor.    The sky is falling!  I can just see Chicken Little running around.  The sky is falling!  But in this case, he’d be right.

When I first saw the installation, I only saw the lower portion and I assumed that it was a neglected wall.  It looks like many of the walls you find in lanes and alleys.  To me it represented the cycle of building and decay that plays out all around us.   I struggle with the idea that painting it to look like the sky changes how the piece should be perceived.  Are we supposed to be upset that the sky is broken and lying on the ground?  Is the use of the normal (plaster falling off a neglected wall) to try to show the abnormal (the sky falling apart) on purpose?  If so, to what purpose?

high walls in a narrow room, walls covered with plaster and painted light blue with clouds, some of the plaster is peeling away and it's supposed to look like the sky is falling . a large window is at the end of the room

below: Looking up towards the skylights.   It is more apparent from this angle that the walls are painted to look like the sky.   By the way, cross fade is the technique in sound or movie editing  where a picture or sound gradually appears at the same time as another disappears.

looking upwards to a skylight two storeys above, the walls of the narrow room (hall) are covered with plaster and painted light blue with clouds, some of the plaster is peeling away and it's supposed to look like the sky is falling

From the online description of the exhibit:  “…. Cross Fade evokes the remains of an action that has already taken place. Echakhch’s wall painting of the sky appears to be falling apart. Fragments of the sky still exist intact on the upper sections of the walls, out of reach, reminding us of its beauty. However, large parts of the sky lie on the ground, creating a peculiar feeling that something beyond our control is either happening or has just happened. The technique employed here references the classical fresco, a second skin that usually leads the viewer into a painted world, a trompe-l’œil, rendering the two-dimensionality of the wall invisible. On the contrary, Echakhch’s work shatters this illusion, rooting us in the present, which like a cross fade, is caught between the past and the future.”

 

Leaving the hall theme behind, the last two exhibits are:

below:  Part of “On Fishes, Horses and Man”  by Jonathas de Andrade

a room in an art gallery filled with posters of men hanging from the ceiling at various levels. All have the words museu do homem do noreste

below:  And “The One Who Keeps on Giving” by Maria Hupfield

art installation on a gallery ceiling of many light bulbs of different shapes and sizes hanging from a piece of wood on cords of different, but short, lengths.

All exhibits continue until mid May.